Sunday, January 10, 2010

Better Dancer: Find Your Own Fun

What happens when your dancing becomes above average for your scene?

Of course, you can get some great dances with the stronger dancers in the room. Some dancers will seek you out regularly, knowing you're one of the stronger partners. There are many advantages and it beats having potential partners run for the hills when they see you in their zip code.

However, some people lose the joy in social dancing over time, because they are always looking for increased complexity, and that levels off as you mature. The landscape changes as your dancing becomes stronger. Like an addict searching for a new high, we often seek out partners who dance "more" and the air becomes thinner as you advance.

So you think you can danceImage by fofurasfelinas via Flickr
Some more experienced dancers sit out half the night, talking with friends and socializing because they aren't excited about dancing with less mature partners. That's fine, as the clubs are a social scene, but it is hard to talk over the music at most clubs. (Many do it anyway.) Sometimes they only find a few people they actually want to dance with, even if the room is nearly full of other dancers.

It doesn't have to be that way.

More complexity doesn't equal "better dancing", and in the social scene, it's often inappropriate with the music playing at the moment. After a lead spins his partner 6 times, spinning her 12 or 24 times isn't two to four times more fun for the follow. It actually gets boring at some point, and a world-class follow once told me she thinks, "OK... I can spin as much as you want, so how about we dance?"

When you hang out with world-class musicians, dancers or athletes, you find they often approach things differently. While they constantly push to develop extreme technical abilities, they also find a joy in performing "simple" skills, but doing them exceptionally well.

They refocus on refining the details, and they never stop improving their foundational movements. The best also learn how to enjoy practicing itself, looking for incremental gains and new challenges to keep them fresh.

Experienced artists know that what you leave out is often as important as what you leave in the art. Contrast creates emotion, and the wider the range, the better.

Once dancers have a wide range of complex dance skills, the best are content and confident enough to save them for the right moments. Most also make a more in-depth study of the music and refine their listening skills, knowing you can't dance to music you're not hearing. Cross-training other dances is also popular among more seasoned dancers. This provides a fresh perspective, new challenges and venues for growth.

Almost everybody can improve their connections with their partners and the music, but that only happens if your focus is there. (That can also happen as a near beginner, but most newer dancers are focused on the movements.) With maturity you find yourself refining little things others may not directly notice, along with enjoying the journey itself.

Sometimes it's as simple as smiling more, paying more attention to your partner's moods and reactions, and finding graceful ways to cover for your less experienced partners (AKA "making your partner look better").

Don't expect it to always be "more fun" unless you find it yourself. Many people improve to the above average point, then lose interest and go off to take up another activity, even when there is lots of room to grow.

As you improve, the number of partners who share your complexity skills goes down, but the fun and growth don't have to be reduced.

Let me know what you're doing to keep the joy in your dancing.
Sometimes I lie awake at night, and I ask, "Where have I gone wrong?" Then a voice says to me, "This is going to take more than one night."
- Charles Schultz (Peanuts)

Tuesday, January 5, 2010

I Should Smile More

DSCF4338-Mambo_Dance-Tremestieri_Etneo-Sicilia...They look happy being there.
I thought I was better, but I've seen the evidence!

I need to smile more and maybe you do too. Even just a reasonable expression would sometimes be an upgrade for me.

I was at a club before the holidays and somebody caught me in 4 or 5 photos while shooting people in the club.

They posted the pictures to their Facebook album, and tagged me in one of the photos. Facebook sends me a message ("You've been tagged") and, wanting to remind myself of my incredibly handsome face (read: being vain), I checked it out, then looked through the rest of the album and found that I could be seen in a few other shots taken during the same dance.

Darn! In every one of the photos, I wasn't smiling. Not even close. The expression on my face was appropriate, but only for falling down a flight of stairs or fixing leaking plumbing around the house, rather than dancing with a beautiful follow to great music.

I was happy they didn't tag me in all the photos, or everybody else would see my "unhappy" mug for what appears to be the complete song. (OK... I didn't like my dancing lines either... but that's another article.)

Worse, I've danced with this follow before and we always have a great time. I look forward to our dances so it wasn't her, it was me. I'm sure I asked her to dance (since I often do that if we're in the same club), and I dance with her because we have a good time regularly. I'm embarrassed by my expression, or I would link to the photos...

Apparently my facial muscles missed the memo that I was having fun. If I'm looking unhappy with a repeat partner where I expect a great dance due to previous experiences, what the heck do I look like with others?

Seeing the photos was a rude awakening for me since I thought I was doing better. I decided I needed to make some changes and work on smiling more.

Maybe the few photos were the couple moments I let my guard down, but I suspect I'm just not as happy looking as I think.

Typical clown makeupA little too much.
How about you? Are you smiling enough?

In my classes I always tell people they need to smile. If you don't smile occasionally, most people assume it's because you hate the dance or your partner, not that you're worried about yourself. (Often my issue.)

Females should smile even more, but us guys shouldn't look like a prostate exam is in progress. There is a happy middle ground, and more smiling is better than less.

Everybody is a better dancer if they appear happy while doing it. But sometimes you do need to fake it. I've never believed in trying to only fake it on the floor. See if you can smile more off the floor, then it becomes easier and more genuine while dancing. That said, even a fake smile is better than a sincere murderous expression on the dance floor.

Now I'm working on it, no matter how I feel.

That said we don't need a clown face the whole song. Even an occasional silly grin would be an upgrade for me, so I'm also working on it outside of dancing. In the car, at the grocery store, dance classes (both taking classes and teaching) and even if I'm just by myself. (This makes others wonder what is wrong with me... which makes me laugh to myself.)

The irony for me is that I love dancing, so why doesn't my face reflect it? I can understand one photo where I look unhappy, but not 3 or 4 in the same dance. I need to grow and the same may apply to you.

Every time I see a mirror I'm working on "happying up", and looking like I'm having fun even if I'm not. If you see me and I'm not smiling, remind me by smiling to yourself or just slapping me in the face (gently).

Next time you see me, I'll be smiling more and I hope the same applies to you.

Let me know what you're doing to improve your dancing expressions.

He liked to like people, therefore people liked him.
--Mark Twain

Monday, January 4, 2010

Implied Clave in Non Latin Music

Seems like every time I turn around another commercial tune has an implied clave. You'll find it in Hip-hop, R&B, pop, and all sort of commercial music nobody would consider "Latin". There is no actual clave instrument in the tune, but the clave feel and influence are very obvious.

The clave feel may be playing in the drums, the piano, bass or sometimes spread between a couple instruments. Some tunes are very obvious and some glam the clave up, making it harder to find, but the feel is there if you know clave basics.

Modern salsa music is often without a "real" clave as well. In many cases the clave isn't actually played, or it's played at points and drops out for parts of the tune, even if the feel is there from beginning to end. Sometimes it's there, but it's very hard to hear in the overall mix because of the rich complexity of the percussion instruments.

In commercial tunes, it's everywhere but often not so obvious. Nobody would think of the tunes as "Latin", but the clave feel is just part of our music culture outside the "Latin" category. It's been happening for years and I could link to a hundred other tunes with this same concept.

My latest discovery is from MJB (Mary J Blige), a really catchy tune called "Good Love" from the CD "Stronger with Each Tear". (Side note: Another great tune named "I Am" from the same CD also has an obvious implied clave.)

Check it out below and you'll see the bass drum is playing an implied clave throughout this tune. The drums drop out at points, but the feel is still obviously clave influenced from beginning to end.

"Good Love (Ft T.I.)" by Mary J Blige (MJB)


This is a great groove tune with a ton of depth (have to love that bass line...); there isn't anything about this song I don't like! Love the horns (especially the 3rd phrase they play each time around), the drum and bass tracks, and her singing is so "on" the time.

I've had the song less than a week, and iTunes tells me I've played it 67 times so far. (I still can't totally nail the bass part every time, but I'll get it.) I suspect I'll be over a hundred times in the next few days. So many things to hear in the background.

For those of you who know about my "implied pulse" concept, note that the time (pulse) starts in the beginning and never stops, even though there are plenty of music breaks and partial breaks. (See "Related Articles" below for additional details.)

Let me know what you think.

(The question of the day: "Is the implied clave a 3-2 or 2-3?)

Enjoy.

Related Articles:
Musical Pulse: Explicit and Implicit (Part 1)
Musical Pulse: Explicit and Implicit (Part 2)
Clave: More Than Most People Want To Know
Clave and the Every Changing Salsa Dance

Time is a great teacher, but unfortunately it kills all its pupils ...
- Louis Hector Berlioz