<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-5489977357310651356.post6091737717394531026..comments</id><updated>2010-01-17T05:10:17.271-08:00</updated><title type='text'>Comments on The Unlikely Salsero - Don Baarns: Musical Pulse: Explicit and Implicit (Part 1)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.unlikelysalsero.com/feeds/6091737717394531026/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html'/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>DonBaarns@hotmail.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>11</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-6484830433970682613</id><published>2010-01-17T00:03:35.039-08:00</published><updated>2010-01-17T00:03:35.039-08:00</updated><title type='text'>Does a salsa cover of Forget Me Nots exist?  If it...</title><content type='html'>Does a salsa cover of Forget Me Nots exist?  If it doesn&amp;#39;t, I think you should make one (or convince someone to), because I think it&amp;#39;ll be *hot*!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6484830433970682613'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6484830433970682613'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1263715415039#c6484830433970682613' title=''/><author><name>Cold Salsero</name><uri>http://www.blogger.com/profile/06545195263825044517</uri><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-1633253708187646851</id><published>2009-06-11T15:57:43.036-07:00</published><updated>2009-06-11T15:57:43.036-07:00</updated><title type='text'>Deborah: Thanks - I'm always learning and growing,...</title><content type='html'>Deborah: Thanks - I&amp;#39;m always learning and growing, and I re-read most of my articles weeks or months later and find plenty of room for improvement. Most of the time I simply get sick of the edit process and throw them out the door, then tune them later.&lt;br /&gt;&lt;br /&gt;I always appreciate feedback!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/1633253708187646851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/1633253708187646851'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1244761063036#c1633253708187646851' title=''/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08958676248860294929'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-852286872124940895</id><published>2009-06-11T12:13:14.845-07:00</published><updated>2009-06-11T12:13:14.845-07:00</updated><title type='text'>I think you write excellent articles Don.  Deborah...</title><content type='html'>I think you write excellent articles Don.  Deborah Fields Perez&lt;br /&gt;Dance Instructor &amp;amp; Studio Owner</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/852286872124940895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/852286872124940895'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1244747594845#c852286872124940895' title=''/><author><name>Deborah Fields Perez</name><uri>http://www.byyoursideproductions.com</uri><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-4899544213583437679</id><published>2009-06-08T14:34:08.503-07:00</published><updated>2009-06-08T14:34:08.503-07:00</updated><title type='text'>Zannahdoll: Yes... this pulse discussion is part o...</title><content type='html'>Zannahdoll: Yes... this pulse discussion is part of my class. Musicians always know the underlying pulse (AKA &amp;quot;count&amp;quot;), and when dancers understand it it&amp;#39;s also helpful.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/4899544213583437679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/4899544213583437679'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1244496848503#c4899544213583437679' title=''/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08958676248860294929'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-4566153131740635998</id><published>2009-06-08T14:31:58.244-07:00</published><updated>2009-06-08T14:31:58.244-07:00</updated><title type='text'>DanceIf: I got my West and East coast swing mixed ...</title><content type='html'>DanceIf: I got my West and East coast swing mixed up. &lt;br /&gt;&lt;br /&gt;I took about 6 one hour lessons in East coast swing BEFORE I started with salsa. All I remember is triple-step, triple-step, rock step. It took 6 counts to complete the sequence and I remember thinking how interesting that it went over the bar line as you put the sequences together.&lt;br /&gt;&lt;br /&gt;I&amp;#39;m way over my head when we start discussing swing, so I have to be more careful with my comments there in a dance context. (I&amp;#39;ve played big band/small group jazz as a young musician...)&lt;br /&gt;&lt;br /&gt;I appreciate your clarifications and comments!&lt;br /&gt;&lt;br /&gt;PS: I did edit the original article in an attempt to make it clearer.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/4566153131740635998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/4566153131740635998'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1244496718244#c4566153131740635998' title=''/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08958676248860294929'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-2018718260519129095</id><published>2009-06-08T14:24:34.454-07:00</published><updated>2009-06-08T14:24:34.454-07:00</updated><title type='text'>Great song selection - the count was very strong. ...</title><content type='html'>Great song selection - the count was very strong.  I also enjoyed your explanation of implicit vs. explicit.  It this a taste of your musicality workshop?</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/2018718260519129095'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/2018718260519129095'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1244496274454#c2018718260519129095' title=''/><author><name>zannahdoll</name><uri>http://www.blogger.com/profile/01858474652793301193</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14302530586620113890'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-8772448487170449600</id><published>2009-05-30T20:06:05.125-07:00</published><updated>2009-05-30T20:06:05.125-07:00</updated><title type='text'>The swing world has a triple step concept that cut...</title><content type='html'>&lt;I&gt;The swing world has a triple step concept that cuts through the music and at points, actually ignores the music.  (In musical terms: It goes over the bar lines...)&lt;/I&gt;In west coast swing, a "pattern" will frequently go over a bar line, but for a triple step to do so (deliberately) is rare.&lt;br /&gt;&lt;br /&gt;Which is to say&lt;br /&gt;&lt;I&gt;walk walk triple step&lt;/I&gt; [bar] &lt;I&gt;triple step&lt;/I&gt;and&lt;br /&gt;&lt;I&gt;walk walk &lt;/I&gt; [bar] &lt;I&gt;triple step triple step&lt;/I&gt;happen often, but&lt;br /&gt;&lt;I&gt;walk walk triple&lt;/I&gt; [bar] &lt;I&gt;step triple step &lt;/I&gt;&lt;I&gt;walk&lt;/I&gt; [bar] &lt;I&gt;walk triple step triple&lt;/I&gt; [bar] &lt;I&gt;step&lt;/I&gt;almost never do.&lt;br /&gt;&lt;br /&gt;If we kick the discussion level up a notch or two, then maybe it happens sometimes.  If we break the movement down....&lt;br /&gt;&lt;br /&gt;&lt;I&gt;step step step ball-change&lt;/I&gt;is our standard "walk walk triple step".  So what's this:&lt;br /&gt;&lt;I&gt;step step ball-change step&lt;/I&gt;There are some benefits to thinking of this as "step triple-step step", in which case then yes the triple could go over the bar lines.&lt;br /&gt;&lt;br /&gt;That said, the prevailing thought at the moment is that we are really still dancing&lt;br /&gt;"walk walk triple step", using a rhythm syncopation on the triple.  From that mind set, the triple doesn't cross the bar.&lt;br /&gt;&lt;br /&gt;Of course, if you throw in a bar with an odd number of beats in it, all bets are off.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/8772448487170449600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/8772448487170449600'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1243739165125#c8772448487170449600' title=''/><author><name>Dancelf</name><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-6223045540019712460</id><published>2009-05-27T15:13:50.609-07:00</published><updated>2009-05-27T15:13:50.609-07:00</updated><title type='text'>BTW - In the Dance Dictionary link you posted look...</title><content type='html'>BTW - In the &lt;A HREF="http://www.swingworld.com/dance_dictionary.htm" REL="nofollow"&gt;Dance Dictionary&lt;/A&gt; link you posted look at the definitions of "Count" and they relate directly to my "Pulse" concept.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6223045540019712460'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6223045540019712460'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1243462430609#c6223045540019712460' title=''/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08958676248860294929'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-6986063212073443491</id><published>2009-05-27T11:50:44.673-07:00</published><updated>2009-05-27T11:50:44.673-07:00</updated><title type='text'>DanceIf: Thanks for the feedback! I'll look at rev...</title><content type='html'>DanceIf: Thanks for the feedback! I'll look at revising this and republishing to make things clearer.&lt;br /&gt;&lt;br /&gt;Skippy's "pulsing" is different than my definition of pulse. The swing world has a triple step concept that cuts through the music and at points, actually ignores the music. (In musicial terms: It goes over the bar lines...)&lt;br /&gt;&lt;br /&gt;Skippy has forgotten more about dancing than I've ever known, and I have great respect for her and her system. I'm still evaluating some aspects of it to see the musicial fit. &lt;br /&gt;&lt;br /&gt;Some things don't fit for me, and I'm figuring out if it's simply my ignorance, or just a different point of view.&lt;br /&gt;&lt;br /&gt;I'm always learning!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6986063212073443491'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/6986063212073443491'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1243450244673#c6986063212073443491' title=''/><author><name>Don Baarns - Unlikely Salsero</name><uri>http://www.blogger.com/profile/06312061855724975322</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08958676248860294929'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-8354815099739909002</id><published>2009-05-27T06:36:54.744-07:00</published><updated>2009-05-27T06:36:54.744-07:00</updated><title type='text'>Two thoughts

1) is "pulse" the term you want to u...</title><content type='html'>Two thoughts&lt;br /&gt;&lt;br /&gt;1) is "pulse" the term you want to use, given that you are using it in a way distinct from Skippy et al? (See Pulsing: http://www.swingworld.com/dance_dictionary.htm)&lt;br /&gt;&lt;br /&gt;2) You could really improve the comprehension of your audience by defining your terms (explicit vs implicit) much earlier in this essay.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/8354815099739909002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/8354815099739909002'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1243431414744#c8354815099739909002' title=''/><author><name>Dancelf</name><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-5489977357310651356.post-7765329874210889531</id><published>2009-05-26T23:28:13.621-07:00</published><updated>2009-05-26T23:28:13.621-07:00</updated><title type='text'>Haha, I was watching Men In Black just before I re...</title><content type='html'>Haha, I was watching Men In Black just before I read this post-- how weird!  Keep up the great work!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/7765329874210889531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5489977357310651356/6091737717394531026/comments/default/7765329874210889531'/><link rel='alternate' type='text/html' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html?showComment=1243405693621#c7765329874210889531' title=''/><author><name>Takeshi</name><uri>http://www.blogger.com/profile/17687339675239901151</uri><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.unlikelysalsero.com/2009/05/musical-pulse-explicit-and-implicit.html' ref='tag:blogger.com,1999:blog-5489977357310651356.post-6091737717394531026' source='http://www.blogger.com/feeds/5489977357310651356/posts/default/6091737717394531026' type='text/html'/></entry></feed>